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上世纪80年代末充满复古风情的锐舞派对、90年代的酸浩室音乐、致幻科技舞曲、迷幻摇滚，以及嬉皮士运动中流行的佩斯利迷幻漩涡图案和欧普艺术。这些更多的是西方人对“酸性”的联想，而对于我们来说这些依然还是很陌生。当“酸性”加入到任何一种文化载体上时，就可以成为这个文化类目的一个分支。比如音乐类上的分支：Acid Rock —— 迷幻摇滚、Acid House —— 酸浩室、Acid trance —— 迷幻舞曲、Acid Techno —— 致幻科技舞曲、Acid Jazz —— 酸爵。

如今的“酸性”设计师们不仅仅是在重拾90年代末的3D和渐变效果，而是对“酸性平面”有新的理解，利用新的数字技术对怀旧的视觉手法不断创新，在对多种媒介的运用实践中发展出新的设计方法，让“酸性设计”有了更进一步的呈现和一种面向未来的概念趋势。

而目前绝大多数关于酸性设计风格的字体设计几乎都是英文为主，关于汉字的设计寥寥无几。其主要原因在于这种科幻未来主义、锐舞派对的文化起源于西方国家。
因此想通过此次的研究来探索这种以情感宣泄、反乌托邦、失调、混乱和共存为主的视觉风格，丰富汉字字体设计的表现形式。

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Retro-inspired rave parties of the late 1980s, acid house of the 90s, techno, psychedelic rock, and the paisley swirls and op art that were popular in the hippie movement. These are more Western associations of "acidity", and these are still very unfamiliar to us. When "acid" is added to any kind of cultural carrier, it can become a branch of this cultural category. For example, the branches of music: Acid Rock - psychedelic rock, Acid House - acid house, Acid trance - psychedelic dance, Acid Techno - hallucinogenic technology dance, Acid Jazz - acid jazz.

Today\\\\\\\'s "acid" designers are not just reviving the 3D and gradient effects of the late 90s, but have a new understanding of the "acid plane", using new digital technology to continuously innovate nostalgic visual techniques, in the New design methods have been developed through the use of various media, so that "acid design" has a further presentation and a future-oriented conceptual trend.

At present, most of the font designs about the acid design style are almost mainly in English, and there are very few designs about Chinese characters. The main reason for this is that this sci-fi futuristic, rave party culture originated in Western countries.
Therefore, I want to explore this visual style of emotional catharsis, dystopia, dissonance, chaos and coexistence through this research, and enrich the expression of Chinese character font design.